Gold Winner of the International Architecture & Design Awards 2024
Sea Cave
Interior
Office Interior Design
Completed / Professional Category
Architect / Designer:
Jason Hsiao
Studio:
Eda Archi
Design Team:
DESIGN:
Jason Hsiao, Zin Min Maung, Alfred Oo, Sithu
PROJECT MANAGEMENT:
Kyaw Wai Moe, Win Thandar
SITE OPERATION:
Thuya Swe, Pyae Phyo, Arkar Kyaw
M&E TEAM:
Acura Engineering Co., Ltd.
Copyright:
ParagonCreative
Country:
Myanmar
MAIN THEME
Our design concept is to create a biophilia workplace with inspiration from Myanmar’s natural oceanic sceneries. It is intended raise awareness for sustainable living and environmental protection. The use of curvilinear shape as design language is to resemble waves with a touch of greenery.
DESIGN ELEMENTS
Curvilinear design language is carried to elevation design. It resembles sea caves found in some of the beautiful Myanmar beaches such as those in Myeik.
To avoid suppression feeling from full closed ceiling at open office area, we propose a open ceiling design with round shape acoustic ceiling as decoration
which also resemble dynamic marine lives. A neutral and natural tone is used for the meeting room design as an image of being inside a sea cave. The
canteen space is imagined as a fishing village with sea caves as the backdrop of the scene and bamboo weaving basket on the ceiling. It is a space people
can enjoy good meal while looking out to Yangon’s Landmark, Shwedagon Pagoda. Another feature of our design is a Myanmar Culture room which is
imagined as a room with thatched roof and decorated with traditional Myanmar artifacts and textiles. Recycled furniture and wood planks are also used
as design elements.
SUSTAINABLE DESIGN
It’s very challenging to acquire LEED certification in Myanmar but we still included some sustainable design approaches. Workstations are designed along
building curtain walls to allow maximum daylight to reduce the use of artificial lighting. All lighting fixture is using LED source with high energy saving. The
ACMV system is design to be supplied by cassette type units so users can control each unit independently to keep thermal comfort and reduce electricity
consumption by switching off rooms that are not occupied. We use locally produced products including bamboos, teak planks, recycled materials, and
refurbished furniture that are available in Myanmar. We also use green label materials including carpets, SPC flooring, etc.
CONCLUSION
The outcome of the workplace provides a green safehouse for staffs and visitors protected from the intense and uncertain outside world.
MAIN THEME
Our design concept is to create a biophilia workplace with inspiration from Myanmar’s natural oceanic sceneries. It is intended raise awareness for sustainable living and environmental protection. The use of curvilinear shape as design language is to resemble waves with a touch of greenery.
DESIGN ELEMENTS
Curvilinear design language is carried to elevation design. It resembles sea caves found in some of the beautiful Myanmar beaches such as those in Myeik.
To avoid suppression feeling from full closed ceiling at open office area, we propose a open ceiling design with round shape acoustic ceiling as decoration
which also resemble dynamic marine lives. A neutral and natural tone is used for the meeting room design as an image of being inside a sea cave. The
canteen space is imagined as a fishing village with sea caves as the backdrop of the scene and bamboo weaving basket on the ceiling. It is a space people
can enjoy good meal while looking out to Yangon’s Landmark, Shwedagon Pagoda. Another feature of our design is a Myanmar Culture room which is
imagined as a room with thatched roof and decorated with traditional Myanmar artifacts and textiles. Recycled furniture and wood planks are also used
as design elements.
SUSTAINABLE DESIGN
It’s very challenging to acquire LEED certification in Myanmar but we still included some sustainable design approaches. Workstations are designed along
building curtain walls to allow maximum daylight to reduce the use of artificial lighting. All lighting fixture is using LED source with high energy saving. The
ACMV system is design to be supplied by cassette type units so users can control each unit independently to keep thermal comfort and reduce electricity
consumption by switching off rooms that are not occupied. We use locally produced products including bamboos, teak planks, recycled materials, and
refurbished furniture that are available in Myanmar. We also use green label materials including carpets, SPC flooring, etc.
CONCLUSION
The outcome of the workplace provides a green safehouse for staffs and visitors protected from the intense and uncertain outside world.
Eda Archi
Eda is an interior and architecture design and build company based in Yangon, Myanmar. Founded in 2014, Eda has grown rapidly to become one of the leading design and construction companies in the country.
Eda is known for its innovative and creative designs, which are inspired by the unique cultural heritage of Myanmar. The company’s designs are both functional and aesthetically pleasing, and are tailored to meet the specific needs of each client.
Our team of experienced architects, interior designers, and construction professionals are dedicated to providing the highest quality services to their clients. The company is committed to using sustainable and environmentally friendly materials in its designs and construction, and works closely with its clients to ensure that their projects are delivered on time and within budget.