Platinum Winner of the International Architecture & Design Awards 2024

Iringan Bayu Sales Gallery

Architecture

Mixed-Use Development Design

Completed / Professional Category

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Architect / Designer:

Lee Cherng Yih

Studio:

MOA Architects, Formzero

Design Team:

Desmond Lee, Justin Lee, Hung Sing Ing, Tan Ewe Liat

Copyright:

Ronson Lee from Twins Photography

Country:

Malaysia

The journey to site began in an arduous adventure on foot at the edge of a small tropical town. In a bewildered quest to locate the site boundary within a hinterland, the lead architect trekked through acres of abandoned oil palm plantations and on what seemed to be one of the few remaining grasslands for a dairy farm in the locality. The exact location of site remained unidentified on the first day as the crew felt disoriented amidst large, undulating hills within an agricultural landscape that will soon disappear as development plans for urban housing in the area has been set in motion.

Whilst studying the site, an unusual landscape pattern emerged. The prevailing palm oil trees had formed a border around an area of what was later known to be a cluster of rubber trees preserved during the land-clearing works. This incident inspired the ensuing design process.

The design of a human experience preceded designing the actual building. This is a journey in which one discovers a forgotten place. The path to the gallery is found at one end of the preserved rubber forest as visitors are encouraged to find their way through the trees on a winding and elevated metal platform. Due to the building’s striking red facade, one can always vaguely see it behind the forest. However, its image is never certain nor fully revealed. Entering the forest path is akin to a entering a dark cave. Conversely, one sees a huge white cave when walking into the building’s gallery.

Across different functional areas, the scale of space changes dramatically from one end of the building to the other as ceilings rise and fall above the head, and as walls fold in and out at various places, framing fragmented views of the outside at angles. A zig-zag corridor leading to an internal courtyard garden that serves as a central point to the office space is all part of a designed journey that mimics the experience of searching for a destination in a forest.

As one leaves the site southward, the building is fully revealed with the forest behind it. Its form is a reminiscence of compressed, undulating hills that slope towards the ground, disregarding any sense of scale.

The journey to site began in an arduous adventure on foot at the edge of a small tropical town. In a bewildered quest to locate the site boundary within a hinterland, the lead architect trekked through acres of abandoned oil palm plantations and on what seemed to be one of the few remaining grasslands for a dairy farm in the locality. The exact location of site remained unidentified on the first day as the crew felt disoriented amidst large, undulating hills within an agricultural landscape that will soon disappear as development plans for urban housing in the area has been set in motion.

Whilst studying the site, an unusual landscape pattern emerged. The prevailing palm oil trees had formed a border around an area of what was later known to be a cluster of rubber trees preserved during the land-clearing works. This incident inspired the ensuing design process.

The design of a human experience preceded designing the actual building. This is a journey in which one discovers a forgotten place. The path to the gallery is found at one end of the preserved rubber forest as visitors are encouraged to find their way through the trees on a winding and elevated metal platform. Due to the building’s striking red facade, one can always vaguely see it behind the forest. However, its image is never certain nor fully revealed. Entering the forest path is akin to a entering a dark cave. Conversely, one sees a huge white cave when walking into the building’s gallery.

Across different functional areas, the scale of space changes dramatically from one end of the building to the other as ceilings rise and fall above the head, and as walls fold in and out at various places, framing fragmented views of the outside at angles. A zig-zag corridor leading to an internal courtyard garden that serves as a central point to the office space is all part of a designed journey that mimics the experience of searching for a destination in a forest.

As one leaves the site southward, the building is fully revealed with the forest behind it. Its form is a reminiscence of compressed, undulating hills that slope towards the ground, disregarding any sense of scale.

MOA Architects, Formzero

Founded in Kuala Lumpur in 2012, formzero is an architectural research studio established upon the ideology of incorporating multi-disciplinary sustainable design and reengaging the architecture with tropical landscape in the urban context. Led by Lee Cherng Yih and Caleb Ong, the practice’s design approach challenges typologies, technologies and methodologies to address issues as diverse as technical details or programmatic intervention. From within the practice, talented designers work together to develop fully integrated design solutions that lead to unique design concept. Every project is ensured to be tailor-made to site and driven by user experience.

In recent years, Formzero has gained recognition from the architectural industry through winning several national and international awards, notably Planter Box House has won PAM Gold Award and Building of the Year 2020, and the winner of FuturArc Green Leadership 2019 award.