Platinum Winner of the International Architecture & Design Awards 2025
Architect / Designer:
HUSH
Studio:
HUSH
Design Team:
HUSH: Design Agency
Creative Partner
David Schwarz
Technical Partner
Erik Karasyk
Managing Partner
Kristen DiCamillo
Strategy Director
Athena Diaconis
Creative Director
Garrett Johnston
Design Director
Danielle Towslee
Senior Producer
Kathryn Bowne
Technical Producer
Robert Wuss
Executive Producer
Tonian Irving
Art Director
Joel Watkins
Technical Director
Joe Mango
Technical Director
David Crumley
Lead Creative Technologist
Beau Burrows
Strategy
Maddie Hickey
Creative Technologist
John Noonan
Fabricator: DCL
Sr. Project Manager
Dustin Sweeney
Project Executive
Tom Barton
Director of Creative Technologies
Jeff Grantz
Client: Commonwealth Fusion Systems
Head of Branding & Design
Ilavenil Subbiah
Executive Assistant
Alex Thibeault
Facilities and Construction Manager
Rich Holcomb
Head of IT Infrastructure
Nate O’Farrell
Head of Public Affairs and Communication
Kristen Cullen
Chief Movement Builder
Jennifer Ganten
Copyright:
©HUSH
Country:
United States
Commonwealth Fusion Systems (CFS) recently unveiled a new, state-of-the-art campus in Devens, Massachusetts that houses offices, manufacturing facilities, and SPARC – the world’s first net energy (Q>1) compact fusion system. To inspire, empower, and champion the next generation of energy stewards paving the way for equal energy access, CFS wanted to create an artwork that represents its vision for fusion energy.
Our goal was to engage key partners, stakeholders and guests visiting the campus with the core concepts of fusion energy and CFS’ technology. Transform the complex and hidden aspects of fusion energy systems (those at the molecular scale, or out of sight / below ground) into an inspirational visualization to support storytelling and education.
Our light-based artwork reflects key fusion energy concepts through form and movement. CFS’ “tokamak” fusion technology contains 18, D-shaped high temperature superconducting copper magnets – each the size of a car. They hold plasma particles in place to achieve the specific conditions necessary for fusion. Drawing inspiration from this tokamak structure, the installation also consists of 18, D-shaped copper light-emitting elements arrayed in a torus.
Through a guest’s interaction, the artwork moves between three narrative beats: opportunity, ecosystem, and roadmap.
In the first narrative beat, we see the world as it is today: just one illuminated light mirrors the imbalance of our world’s energy needs versus our available resources. The single light then expands to become many, representing fusion’s potential to meet global demand.
Second, we see a representation of the current fusion energy ecosystem: lights move in disconnected, staccato rhythms signaling a lack of alignment within the industry. The lights then find a clearer rhythm, mirroring the momentum, focus, and the commercialization approach which CFS is bringing to the fusion industry.
Finally, the torus of light becomes a temporal roadmap, illuminating each light in sequence until we see a completed torus. The light becomes incredibly intense, spilling into the entirety of the room: limitless possibility. This sequence demonstrates CFS’ vision to deploy 10,000 ARCs (the world’s first fusion power plants) by 2050.